Yamaha dx7 librarian mac9/7/2023 ![]() ![]() Unisyn comes with over 250 profiles, which means you can run a lot of devices with one application. Unisyn can handle hundreds of synths-theoretically an infinite number, since it has an interface framework in which an independent developer writes a "Profile" of any given synthesizer which tells Unisyn how to talk to that device. Fully Core-MIDI compatible, Unisyn filled a gaping hole in available music applications for OS X. With a rack of synths, I was greatly relieved to get it, and I have been using it ever since. Happily, the wait was over in mid-February of 2004, when Unisyn for OS X began shipping with very little fanfare, 9 months after the release of Digital Performer version 4.0. During the massive Mac-Exodus from OS 9 to OS X, Unisyn version 2.0 was first released for OS 9, as a Carbon app (cross platform), but its OS X counterpart took well over another year to be released. During its entire tenure in the "Classic" Macintosh era, up through OS 9, it only made it up to version 1.5. ![]() Unlike its more famous MOTU cousins, Performer and Digital Performer, Unisyn did not go through a lot of revisions. Sadly, Opcode and all its librarians are now history. Opcode introduced its all-in-one librarian called Galaxy around the same time. While it did not fit any particular synth as smoothly as the dedicated apps that preceded it, the advantages of programming all of your synths in "unison" greatly outweighed the minor, mostly cosmetically exposed seams in this amazing workhorse of an application. Mark of the Unicorn introduced Unisyn, their UNIversal SYNthesizer librarian, in the mid-1990s to high acclaim. So, it was only natural that someone should come along and unify these applications into one librarian that could do it all. Still, in a studio with many synths, the expense piled up rather quickly, as did the key-disks and the inconvenience of dealing with so many pieces of software which essentially did the same thing, just to different MIDI boxes. This DX7 is fully functional and in great condition.There was a time when MIDI synthesizer librarians were dedicated to individual synths, each one costing more than anyone wanted to spend, but the practicality and ease they brought to the programming of those old MIDI boxes made them essential to anyone who had tried programming through the awkward interfaces on the front panels. It has full MIDI implementation to control or be controlled by external source. It uses a 61 key keyboard with velocity and after touch. The VCA has 6 envelope generators with 8 stages each. The DX7 is useful for creating full and complex metallic and percussive sounds, as well as decent acoustic emulations of instruments such as piano, clav, bell, koto, brass, and woodwinds. ![]() ![]() Sounds are created not by traditional analog synthesis, but by frequency modulation synthesis, which employs digital sine wave oscillators modulating each other through various algorithms and envelope manipulation. It is not the easiest to edit, but there are very useful librarian editors for Mac, PC, and Ipad. It changed the face of music in 1983 and still remains desirable and useful to many players and producers. One of the most popular synthesizers ever created, the Yamaha DX7 was Yamaha's flagship FM synth. ![]()
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